To make "film" philosophically self-consistent

Medium of "film" is debated - if it qualifies as an art form or not. Those who believe it's an art, find certain conditions to be able to do so. A primary condition is to enable film as a mediative source of invoking consciousness. The visual/verbal stimuli it delivers should make the audience understand/reflect on the form it delivers and become a participant in the form which the creator of film was already a part of. There are certain easy techniques to do that, which shouldn't become the sole method of making film an art. For example, to make characters recite a poem on screen makes film a medium to access another form. To make film an art, it has to crudely invoke consciousness in your mind by finding and establishing certain putative features of itself and using them. 

Having done that, let say, now my aim is to make a film as an art form do philosophy. If I am able to achieve that in a perfect wotld, it means that philosophy and art are abridged through the medium of film. In other words, a film has its crude elements which are philosophically rich (be it the mathematical sequences of images - logical positivism etc.) and act as a guiding medium of consciousness for the viewer. In effect, film resources do all the "hard" task of philosophy and what an audience gets is the "soft" part of arts portrayed thereby. Depending on the type of philosophy, the "hard" task can be undertaken by the creator (rational) or left for viewer to interpret (open ended). For the former, there is a clear distinction between arts and philosophy, while for the latter, both things are merged together seemlessly and the question of arts and philosophy is in the minds of viewer (creator can only attempt different techniques). 

It is quite interesting to think of ways to do that. In rational sense, the best approach is to try different philosophical systems and find technical means of putting them in film. It can be done using the seqeunce of images shown in film or some other visual means which are artistic in nature.

Key ideas - Structural (minimalist) films like Serene velocity 1970. 

Citation - Plato Stanford, philosophy of film.

Solution:

1. Web cam technique is a nice methodogical-practical technique to create infinite frames sequentially. 
2. Let's shoot near the grantchester river, to aim for a infinite long distance location - keeping the stand static. 
3.  Time lapse of the whole video would be best. 5 mins step.